T2 3-D: Behind-the-Screens of Universal’s Larger-Than-Life Battle Across Time

Central Florida has been a battleground since 1990. That’s when Universal Studios Florida opened, officially setting Walt Disney World and Universal Orlando on a back-and-forth battle to attract visitors to their respective parks. You might agree that Disney’s cornered the market on fairytales and fantasy; nighttime spectaculars; meet-and-greets; and certainly, family dark rides. 

But you won’t find anyone who can do larger-than-life special effects spectacles quite like Universal, and for years, their parks hosted perhaps the most revolutionary, massive, all-encompassing attraction everT2 3-D: Battle Across Time was a genuine Hollywood treasure… a $60 million mini-sequel to a box-office shattering film franchise that defined the ‘80s and ‘90s.

Of course, if it’s a year post-2000, it’s probably a year that at least one legendary Universal attraction has bit the dust. And like so many of Universal’s classics, T2 3-D is now officially gone, with its valuable real estate set aside for something “new, now, and next.” Today, we’ll dive into the behind-the-scenes making of this James Cameron-helmed, star-studded extravaganza, relive the experience first-hand, and predict what’s to come at Universal Parks and Resorts. Many of our Lost Legends entries begin years before the attraction opens, but today’s feature instead starts decades after

Terminator

Image: Orion Pictures / Lightstorm

2029: Earth is a post-apocalyptic wasteland. The steaming, gritty, urban wreckage that remains looks (appropriately) like the grim, polluted, desolate visions of the future popularized in the 1980s. There (or perhaps, then), humanoid cyborgs called “terminators” scour the desolate ruins seeking out the remote human factions that remain to exterminate them. It’s humanity’s own fault, though, because…

1997: As a contractor for the U.S. government, technology pioneer Cyberdyne Systems develops Skynet, an artificial intelligence defense system able to strategically manage the country’s nuclear arsenal. However, learning at a geometric rate, Skynet begins to connect to and overtake the United States’ military computer systems. As its programmers try to shut it down, Skynet reaches self-awareness, deems humanity a threat, and launches all of the country’s nuclear weapons in unison… “Judgment Day.”

1984: Prince’s “When Doves Cry,” Tina Turner’s “What’s Love Got to do With It” and Lionel Richie’s “Hello” top the charts; Ghostbusters, Gremlins, and Indiana Jones and the Temple of Doom light up the big screen; Ronald Reagan and Walter Mondale fight it out for the presidency. It’s also the year that the machines arrived…

Image: Orion Pictures / Lightstorm

The Terminator premiered as the directorial debut of a little-known filmmaker named James Cameron. The 1984 film – set in the same year – follows one particular humanoid T-800 terminator (played by Arnold Schwarzenegger) sent back in time from 2029 to assassinate a woman named Sarah Connor (played by Linda Hamilton) who, to her surprise, is destined to give birth to a Resistance fighter who will defeat Skynet and save the world… unless the time-traveling Terminator can kill her first.

The Terminator became a sleeper hit, earning an impressive $78 million (against a $6 million budget), universal critical acclaim for its action and special effects, and preservation in the Library of Congress for being “culturally, historically, or aesthetically significant.” It singlehandedly rocketed both James Cameron and Arnold Schwarzenegger into massive action careers, and (of course) spawned a catalogue of spin-offs and sequels.

Which brings us forward in time…

Universal Studios Florida

When Universal Studios Florida’s 1990 opening was announced, its very existence was an act of resistance. Though Universal’s world famous Studio Tour had been carting guests through the actual, real, storied backlots of their working movie studios in Hollywood for decades, a Universal Studios Florida would be an obvious, outright attempt to break into the market created by Walt Disney World.

The plans had been scrapped time and time again through the 1980s up until Steven Spielberg recommended a fellow Lost Legend: Back to the Future – The Ride, which served to empower the concept and green-lit its announcement.

So when their Universal Studios Florida began construction, it was a David against an established, 47-square mile Goliath. To make matters worse, Disney’s still-fresh CEO Michael Eisner had gotten wind of Universal’s plans and fast-tracked a movie park of his own – the Disney-MGM Studios – stealing Universal’s go-to, tram-led Studio Tour right out from under them!

Image: Universal

The good news is that the existence of Disney’s Declassified Disaster: The Backstage Studio Tour, forced Universal back to the drawing board. Rather than abandoning their plans for Orlando, Universal evolved them. They split up the individual components of their Hollywood Studio Tour attraction into standalone Lost Legends: Jaws, Kongfrontation, and Earthquake, birthing a generation of Central Florida favorites.

Universal had made a name for itself in its action-oriented disaster rides, placing guests face-to-tooth with monstrous sharks, a raging ape, snarling dinosaurs, disastrous earthquakes, and more, and just as the park opened, a new name in action came to the forefront of pop culture…

Judgement Day

Image: TriStar / Lightstorm
Image: TriStar / Lightstorm

One year after Universal Studios Florida’s opening, Terminator 2: Judgement Day debuted.

The sequel fast-forwards 11 years after the events of Terminator, with a hardened, unstable, vigilante Sarah Connor imprisoned for attempting to blow-up a computer factory, and ten-year-old John Connor (our one-day savior, played by Edward Furlong) raised all his life as a warrior. Having failed to kill Sarah before her son could be born, Skynet sends a new, advanced “liquid metal” Terminator model – the T-1000 – back to 1995 to kill the young John. The poly-alloy villain (disguised as an LAPD officer, played by Robert Patrick) is unstoppable…

Except for one astounding switch. The future John Connor and his Resistance have commandeered and reprogrammed an old, outdated T-800 and sent the rusty Schwarzenegger model to 1995 as well, this time to protect his own mother and younger self. (Insert: “Come with me if you want to live.”)

Earning $522 million dollars (versus the original’s $78 million), Terminator 2 had proven that the franchise would become a juggernaut to transcend decades. And then and there, Jay Stein (then-Chairman and CEO of Universal Theme Parks) began shopping for concepts to bring to life at the brand-new Universal Studios Florida. Cameron’s sequel was just the hot ticket Universal could use… if anyone could figure out how to bring it to life, that is…

Behind-the-Screens

Image: The Goddard Group

Jay Stein turned to Universal favorite Gary Goddard (later, the mastermind behind Universal’s Modern Marvels: Jurassic Park: The Ride and The Amazing Adventures of Spider-Man), who’d designed a Conan The Barbarian stunt show for Universal Studios Hollywood. Stein asked Gary if he and his team could develop a new Terminator stunt show to replace his own Conan installation.

In an interview with Flickering Myth, Goddard elaborated: “I watched Terminator 2 and thought, ‘Oh, my God, how am I going to turn this into a live stage show?’ It’s all chases. On trucks, on motorcycles, through hospitals and buildings, and then you’ve got this silver guy. Were we going to have a ten-foot guy in a big metal suit and a look-alike Arnold actor? That would have been awful. My team and I were having a real hard time coming up with ideas. Someone in my team told me that we should just call them back and tell them that this wasn’t going to work, and I told him that you never call them back to tell them that because they’ll go find someone who can do the job. We had to figure it out.”

Image: TriStar / Lightstorm

That’s ultimately why Goddard and company did what they’d done in so many projects before and since: they raised the bar… Goddard suggested a fusion of a live-action stunt show with a 3-D film and unprecedented in-theater special effects. “I thought, ‘Well, what if we used 3-D?’ We could make it work somehow. Then I thought, ‘Well, we’ve got the 3-D glasses on, what else could we use?’ It was like a magic trick. We would have people going in and out of the screen.”

Image: Universal / The Goddard Group

Initially, James Cameron resisted any attempt to turn his Terminator franchise into an attraction. That was bad news, because there was no way the creative team could get Arnold Schwarzenegger on-board without James Cameron officially sanctioning the project.

After more than a year of concept development, Goddard and his team presented the idea to the infamously protective Cameron. According to Goddard, the storied filmmaker looked over the plans and said, “This is actually pretty good. You got the mythology right. You got the story down. I’m impressed. This is really good… Not that I can’t make it a little bit better.”

Of course, this is James Cameron, infamous for his Rowling-like eye-for-detail (which, if you believe the rumors, almost derailed the Disney’s Animal Kingdom land based on his AVATAR) so he officially came on-board to supervise the project. Under his watch, the new action attraction would be elevated to a canon, in-universe short film continuing the story after Terminator 2Judgment Day (to eventually connect to the Terminator 3 he was scripting out).

Arnold, Eddie Furlong, Linda Hamilton, and Robert Patrick were back on set for what might truly be the most groundbreaking and star-studded theme park attraction to date.

Image: Lightstorm / TriStar

Ultimately, T2 3-D’s production cost was reportedly between $36 milion and $60 million, with the film itself accounting for $24 million (or $2 million per minute, beating a Lost Legend: Captain EO‘s record as the most expensive film per-minute ever). A full-scale mock-up of the proposed theater was constructed in a hangar at the Van Nuys Airport, including a triptych of three silver screens (each 23 by 50 feet), with 60 Iwerks projectors broadcasting the synchronized 70mm film at 30 frames per second. That’s also when Gary Goddard and his team had to test out some of the unthinkable effects they’d concoted for this first-of-its-kind live 3-D adventure.

T2 3-D: Battle Across Time officially opened April 27, 1996. What exactly did it have in store? On the next page, we’ll journey back in time to 1996 and step into Cyberdyne Systems for a grand product unveiling to find out… The Future Is Waiting…

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